SP CE
Psychoelestic Soundbathers

Psychoelestic Soundbathers

shut up and listen! 2024

Samstag, 12. Oktober 2024 @ echoraum, 21:20

Psychoelestic Soundbathers
Performance

[Deep Sea ‘n Light Listening I Foto: Artist]

Psychoelestic Soundbathers

Featuring Mel E. Logan & Philipp Quehenberger sowie Emanuel Andel (LED)

Phillip Quehenberger

Philipp Quehenberger was born in Innsbruck in 1977, grew up in Tyrol (AUT), Seattle (US) and Newcastle (GB). Lives and works as a freelance musician and composer in Vienna, Austria. Collaborations: Didi Kern, Marco Eneidi, Juini Booth, Marshall Allen, Dror Feiler, Jamaladeen Tacuma, TJ Hicks, Elin, Patrick Pulsinger, Ilpo Väisänen, Alexei Borisov, Mark Stewart, Elise Mory, Mayo Thompson, Aki Onda, Franz Hautzinger, Christoph Kurzmann, Susanna Gartmayer, Martin Siewert, Werner Dafeldecker, Werner Möbius, Hans Falb, Helmut Neugebauer, Noid, Stefan Geissler, Mario Rechtern, Corey Wilkes, Lenny Kaye, Tex Rubinowitz, Gerhard Potuznik, Ivo Dimchev, Franz West, Sarah Lucas, Gelatin.

http://www.philippquehenberger.com

Emanuel Andel

Emanuel ist seit fast zwei Jahrzehnten im Bereich der Medienkunst zuhause und hat 2010 THISPLAY gegründet. Ihn treibt seine künstlerische Neugier und sein erfinderischer Umsetzungsdrang seither an für seine Kund*innen neue, interaktive Technologien mit höchster künstlerischer Qualität zu verbinden.

https://emanuelandel.com

Mel E Logan

Mel E. Logan is a Vienna and Munich based artist whose work spans and hybridises electronic music, performance and installation. She gathers groups of artists, thinkers, technologists to connect themes of fiscal, digital rights. In the tradition of avant-garde her works oscillate between authenticity and the subaltern, touch on theory with a detour into artificial exaggeration. Her growing interest in electromagnetism and sound instruments range from the mechanical and fantastical, spawning devices and systems for sound sculpture, installation and interactive performance. Logan studied painting at the Academy of Arts in Munich, where she founded Chicks on Speed (CoS) collective with her colleagues there. Over the 25 years of its evolution, CoS has developed a collaborative system of rotating members who develope sound devices, install their exhibitions, and teach seminars. Their collaborations center on an ethic comprised of learning by doing, open source, and a material practice of building Objektinstruments — ‘instruments’ without the instrumentality, sound devices, some of them wearable, that combine emerging technologies with basic mechanics. Logan has worked in theater, producing music in addition to performing for the theater director Angela Richter at Schauspiel Köln and HAU. Supportive and building a platform to support FLINTA artists and musicians, Logan hosted GirlMonster at Kampnagel Theater from 2010-2013. Invited guests include Vaginal Davis, YoMajesty, FEMEN, Le Chick from Taiwan, Lady Bitch Ray and Gustav from Vienna, just to name a few. In 2017 Logan founded UniCAT UG as an artist-run label, investigating web 3 and smart contracts and music distribution. Building a system for music to reach into the publishing world via archive system. As a vocalist Logan is best known for her nonchalance spoken word on Kaltes Klares Wasser, a remix of the Malaria! Classic piece which made it into the German Dance Charts. Logan has recorded Mentally Naked and Good Weather Girl with Captain Mustache, both songs are reaching the playlists and are getting radio rotation. As an electronic producer, Logan releases as VooCha. With CoS, Logan has exhibited, performed and lectured at diverse locations: Sonar, PrimaveraSound, Whisky a gogo in LA, The Filmore, The Kitchen, NY, SXSW and at Kyoto Contemporary Art Museum, MoMA, Palais de Tokyo, Pompidou, Dundee Contemporary Center for the Arts; TBA-21 Vienna, CAC Vilnius, Tate Britain, Big Day Out festival tour in Australia and the Victoria & Albert Museum just to name a few.